Swiss Book Prize: Who belongs in Swiss literature?
Five titles, one award: what the rules of the Swiss Book Prize reveal about literary belonging.
→Books, authors, prizes and the book market.
Judith Kuckart came to prose through dance and theatre. In her books, the body remains a narrative measure – and the stage a place where language first takes shape.
READ THE PROFILEFive titles, one award: what the rules of the Swiss Book Prize reveal about literary belonging.
→From French into German, from the written sentence to the voice: Fiston Mwanza Mujila's literature thrives in transition.
→Politics, artificial intelligence, vulnerability: three shortlisted titles show just how wide-ranging the questions addressed by socially relevant non-fiction can be.
→Berger connected close attention to images with questions of power and everyday life. But when does social criticism itself become a template?
→In exile, Klaus Mann created forums against isolation through magazines. Their ambitions were great, their existence precarious.
→His songs are so familiar that they interrupt us as we read. An essay on Cohen’s poetry, prose and the power of our own expectations.
→A nomination is not the end of reading, but often its public beginning. How a list becomes conversations and encounters with books.
→The novel is only one way into Ilse Aichinger’s work. Radio plays, poems and terse prose reveal how far her scepticism towards language reached.
→A first novel, but not a start from scratch: Sonja Sophie Kreis and the attention surrounding her ahead of the Swiss Book Prize.
→Two juries, the same novel: Bazyar’s awards show how literary judgements take shape and gain traction in the book trade.
→An invented place, a suppressed past: Shida Bazyar’s novel asks what home conceals and what literature can bring to light.
→Images do not speak outside history. Berger shows how ownership, power and everyday life help shape our gaze – and where his interpretations go too far.
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