Berlin Philharmonic: dispute over orchestral seating
A dispute over double basses at centre stage scuppered the concerts with Iván Fischer. Seating is a question of both sound and power.
→Classical, jazz, pop and contemporary music – concerts, recordings and debates.
Njabulo Phungula will receive the Busoni Composition Prize, Raphaëlle Aoun the advancement award. The award sends a public signal – but its impact will only be determined afterwards: through performances, commissions and reliable opportunities to work.
READ THE BACKGROUNDA dispute over double basses at centre stage scuppered the concerts with Iván Fischer. Seating is a question of both sound and power.
→The new artistic and managing director of the Nuremberg Symphony Orchestra promises openness and participation. How much of this will become visible in its programming and everyday practice remains to be seen.
→For his 90th birthday: why Wolf Biermann’s songs cannot be reduced to their political history.
→Between a former factory, a sound installation and a concert hall, listening becomes a question of place – and of the attention it demands.
→The new managing director starts in 2026, the incoming general director not until 2028. How Erfurt needs to organise the long transition.
→Two concerts place Henze alongside Schubert, Beethoven and Schumann. What matters is whether ensembles continue to champion his chamber music after the anniversary.
→Madeleine Landlinger is starting in Nürnberg. The first changes under a new director may lie less in the programme than in how it comes into being.
→Wien Modern makes rivers, forests and insects audible. This background feature asks how environmental sounds become a musical perspective.
→bela is to develop a site-specific performance for Kunsthalle Friart. A concert as an additional event – or as an intervention in the exhibition?
→A choir sounds as one — but behind it lie work schedules, rehearsal logistics and questions of programming. Martina Elmer is taking on a key role at the BR Choir.
→Two new works at musica viva demand different forms of collaboration from the orchestra — with familiar instruments and electronic sound.
→Morton Feldman’s piano music stretches the concert evening. The Munich festival also asks who can sustain attention for so long.
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