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4 Nov 20:46	EDITORIAL	Form Is No Side IssueArguing about chairs, graphics and furniture does not necessarily mean missing the point. A case for precision of form.
4 Nov 14:23	MUSIC	Beyond the Certificate: What a Composition Prize Can AchieveAn award brings names to public attention. Whether that translates into new music in the concert hall depends on more than a certificate.
4 Nov 14:21	STAGE	Lydia Steier: The festival begins before her first festivalSteier takes over the Ruhrtriennale before her first edition begins. Her ambition: bold imagery, open doors and a festival that reaches the region.
4 Nov 14:21	LITERATURE	Judith Kuckart: What passes from dance into storytellingFrom movement to language: Judith Kuckart brings stage experience and prose together. On 10 November, she will receive the Wiesbaden Literature Prize.
4 Nov 14:21	ARCHITECTURE & DESIGN	After the Art Festival: Who Takes Over the Church?Designs turn churches into cultural centres. Whether they become lasting venues depends on more than architectural ingenuity alone.
4 Nov 14:21	CULTURAL POLICY	Deutsche Welle: Between a Cultural Remit and Budgetary DisciplineThe federal government funds Deutsche Welle; parliament sets its budget. What pressure to cut costs means for culture, language services and independence.
4 Nov 14:20	VISUAL ARTS	Whose Body Is in the Museum?Feminist art in Wien, bodies and machines in Basel, figures and models in Düsseldorf: three perspectives on visibility and power.
4 Nov 14:20	STAGE	What a set design can do to ‘Hamlet’Ersan Mondtag is responsible for both the direction and set design of ‘Hamlet’. The premiere at the Berliner Ensemble asks how space can open up new readings of a classic.
4 Nov 14:20	FILM	A company as a political pressure chamber: Zvyagintsev’s return to cinemaIn “Minotaurus”, a company’s crisis becomes a question of power, fear and responsibility in Russia in 2022.
4 Nov 14:20	VISUAL ARTS	Mapplethorpe at eighty: Who sets the limits on visible bodies?Mapplethorpe sought beauty in the body, challenging public boundaries in the process. Today, the question is also who controls these images.
4 Nov 08:31	IN BRIEF	Documenta 16: The curatorial team grows – responsibilities remain unclearFour new specialist perspectives broaden the documenta 16 team. How these will translate into specific responsibilities has yet to be explained in detail.
4 Nov 08:30	LITERATURE	Who belongs in Swiss literature? The book prize ahead of the decisionFive titles, one award: what the rules of the Swiss Book Prize reveal about literary belonging.
4 Nov 08:30	VISUAL ARTS	Calder Fifty Years On: Movement Needs SpaceCalder’s sculptures change with air, time and viewpoint. What do they gain when we give them space?
4 Nov 08:30	VISUAL ARTS	The Twenties without the Gilt FrameBetween metropolis, theatre and night: Salzburg shows how artists of the interwar period observed the world around them.
4 Nov 08:30	ARCHITECTURE & DESIGN	Designed Certainty: Why Information Is Never Just ContentFigures and facts do not speak for themselves. Those who can read their design can also recognise what a graphic highlights — and what it leaves out.
4 Nov 08:30	STAGE	Böll’s dissent on stage: how political is a small act of refusal?Refusal to carry out a routine assignment becomes a court case: Armin Petras brings Heinrich Böll’s satire to Theater Bonn. What does a small act of disobedience mean today?
4 Nov 08:29	MUSIC	Who sits where – and who decides?A dispute over double basses at centre stage scuppered the concerts with Iván Fischer. Seating is a question of both sound and power.
4 Nov 08:29	FILM	Einar Schleef: How an archive becomes an interlocutorA documentary assembles Einar Schleef’s own voice and images into a portrait. In doing so, it makes the question of remembrance itself its subject.
4 Nov 08:29	CULTURAL POLICY	What book culture should the federal government protect?Between diversity, competition and reading promotion: what the federal government can do for books — and where its remit ends.
3 Nov 23:40	VISUAL ARTS	When art invents a trialA fictional Swiss bank on trial: in Appenzell, Gabriela Löffel asks how art can investigate financial power and its narratives.
3 Nov 23:40	LITERATURE	Fiston Mwanza Mujila and the paths between languagesFrom French into German, from the written sentence to the voice: Fiston Mwanza Mujila's literature thrives in transition.
3 Nov 23:40	MUSIC	Madeleine Landlinger: Leading an orchestra also means shaping its public roleThe new artistic and managing director of the Nuremberg Symphony Orchestra promises openness and participation. How much of this will become visible in its programming and everyday practice remains to be seen.
3 Nov 23:40	CULTURAL POLICY	Who pays for cultural institutions to change?New models require not just money, but staff time and political backing too. What a federal programme can achieve — and what it cannot.
3 Nov 23:40	STAGE	What holds Joseph Roth’s hotel together on stageReturning soldiers, people left adrift and operetta melodies meet in ‘Hotel Savoy’. Franui brings Joseph Roth’s novel to the Burgtheater on 7 November.
3 Nov 23:40	ARCHITECTURE & DESIGN	Eileen Gray: architecture begins with livingEileen Gray conceived furniture and architecture together. An exhibition in Kaiserslautern brings this approach to life through models and spatial installations.
3 Nov 23:39	VISUAL ARTS	Before Renoir: Islamic Art and the Folkwang’s Other Founding StoryThe Folkwang did not begin with modernism alone: Osthaus’s Islamic art collection shaped his early vision of a museum spanning periods and regions.
3 Nov 23:39	STAGE	Doris Uhlich: A Dance Archive of Living BodiesTwenty years of Doris Uhlich: a Vienna retrospective traces how bodies, biographies and movement shape her choreography.
3 Nov 23:39	FILM	Who owns the voice? AI and responsibility in cinemaBetween archive audio and synthetic voices lie questions of consent, labelling and documentary truth.
3 Nov 22:56	EDITORIAL	The New Needs a Second TimeRepetition need not mean retreating into the familiar. It can give the new the very chance it needs to become more than an announcement.
3 Nov 16:59	ARCHITECTURE & DESIGN	Architecture in motion: what Wim Wenders’ Zumthor film can showAs Wim Wenders’ portrait of Zumthor opens in cinemas: how moving images convey space, material and use – and where they reach their limits.