FILM
How Ottinger’s “The Blood Countess” secured funding
Three countries, public funding and personal commitment: what Ottinger’s “The Blood Countess” reveals about the costs of artistic freedom.
→Ulrike Ottinger
3 articles from all sections, newest first.
PROFILE
Ulrike Ottinger: Cinema begins long before the camera rolls
Ulrike Ottinger collects, photographs and draws before she shoots. As “Die Blutgräfin” (The Blood Countess) opens in cinemas, her work between the materials book and the costume workshop shows how visual art becomes cinema.
READ THE PROFILE
FILM
Ulrike Ottinger’s art of cinematic artifice
How do painting, language and costume become a film? Ulrike Ottinger’s “Die Blutgräfin” (The Blood Countess) takes us to the heart of her working method.
→